Macro Photography Without A Macro Lens

In this article you will see that you don’t necessarily need to spend a lot of money to photograph closeup.

Telephoto for Closeups

I’d like to start with an idea that isn’t considered too often. Using a telephoto lens, zoomed to the furthest focal length to catch an object up close and personal. For example, quite often I use my Nikon 24-70mm or 70-200mm lenses to capture closeups of flowers. This is usually because I’m out on a photowalk without a macro lens. While I do have a Nikon 105mm micro lens, it’s not a lens I typically bring with me on a photowalk.

My article, Don’t always photograph flowers with a macro lens, shares three photographs of flowers all captured with the Nikon 24-70mm lens. They aren’t the closest flower photographs but it is the idea behind it. In June of 2010 I was in the middle of a Project 365 and shared another example. This time it was a closeup of a dandelion.

macro-photography-without-a-macro-lens

Also photographed with the Nikon 24-70mm lens, the detail in the flower is stunning and the depth of field is perfect. If I used the macro lens, most likely there would be no surroundings to the flower, which for me would be too boring.

The thing to remember when photographing a closeup shot with a telephoto lens is that you will likely be standing a lot further away than you might expect. If you plan on trying it out, here are some tips:

  • Use a strong, sturdy tripod because you see more shake the longer you zoom
  • Cable releases are your best friend. Pushing your shutter button with a finger causes more shake than you might realize.
  • You often see more background when shooting closeups with a telephoto than you would with a macro lens so be aware of the subject’s background
  • Remember than the the f-stop you choose will work like that of a macro lens. If you’re photographing your subject at f/2.8 than the subject will have more depth of field, but might look flat. Choose wisely.
  • If you have an extension tube available, try using it to further extend the focal length which would bring you in closer to the subject.
  • If you want an extra method to cut camera shake, use your camera’s mirror lockup function. Couple this feature with the tripod and cable release and the only thing you ned to worry about is wind shaking your tripod. If you do not have a mirror lockup function, try using a longer shutter speed so the mirror vibration time is not visible from the exposure time.

Using Any Lenses for Closeups

  • Remove the lens from the camera body
  • Turn the lens around so the filter side is facing the body
  • Hold the lens steady because it is not connected to the camera. There are two options to solve this problem:
    • Use rubber bands strategically (wrapping around the lens mount of lens and the camera body) to keep the lens in place
    • Purchase a lens reversal ring. They’re inexpensive and do what they are intended for.
  • Get up very close. In fact, a lot closer than you might expect
  • Boost your ISO as needed. Remember, the closer you get, the less light hits the sensor.

I hope that these tips will get you out shooting more closeups because they can be so much fun. You most likely already have most of the gear you would need to do it, so there are no excuses. If you do not have telephoto and want to try the lens reversal trick, I recommend picking up a reversal ring so securely hold your lens in place. I also recommend using a prime lens (e.g., 50mm, 85mm, 35mm, 24mm) for your lens reversal macro as it is the best choice.

Thanks for reading,

Scott

10 Things Beginners Need to Know About Macro Photography

This article is written with beginners in mind. Everything written here is written from experience and may not be standard practice for some photographers. I hope you will find this informative and useful. If you have any questions you can find me on Twitter or Facebook, and the links to these will be at the end of the article. Alternatively you may leave a comment below.

1. You don’t need fancy macro equipment.

A lot of people believe that in order to begin with macro photography, you need expensive macro lenses and big cameras – this is wrong. These days there are all sorts of equipment available that can help you zoom right into your subject without the need to splash out.

Without a doubt, the cheapest method of beginning macro photography is the ‘reverse lens technique’. This technique is exactly what it says in the title – you take your lens away from the camera, reverse it, and then use the camera mounted end to shoot. It is a tricky technique that takes practice but the results can be wonderful. The drawbacks to this can be that your camera elements will be exposed to dust or water, and this can be expensive to repair.

A second technique would be to purchase extension tubes which fit onto your camera and then your lens would sit on the tubes. These are very cheap and reduce the need to leave your camera exposed to the elements. Thirdly, compact cameras or camera phones now have the ability to take macro shots. All you have to do is select the correct setting and shoot away.

A purple daisy – taken using the 'reverse lens technique'. © Sarah Lewis

2. Plenty of light is a must.

This is a given for any sort of photography, but especially for macro. As you are working at very close quarters with your subject, you might want to be able to keep your shutter speeds above 1/500th of a second to avoid camera shake. Ideally you need plenty of sunshine, but if the weather fails, you can use a simple household torch (just tinker with your camera’s settings for correct white balance settings or you can wait until post-processing) or if you’re really serious about macro photography you can invest in a macro ring flash. This device fits around your lens and can be tinkered with to create lighting to aid with your photography.

3. A tripod is not essential.

This is probably controversial thing to say but I do believe that an amateur macro photographer can go without a tripod a few times in the beginning stages. It all depends on the conditions that you are in but most of the time you can improvise. I have been known to use my shoe as a prop for low down photography (see photo below). At this early stage you are concentrating on composition and exposure – the rest will come to you naturally.

Raindrops upon grass – an example of a macro photograph taken without a tripod. © Sarah Lewis

4. A unique perspective helps.

Clichés are inevitable. You’ll see something that someone else has done, (see: the love heart shadow made from positioning a ring in a book) and you’ll want to try it yourself. Before you resort to the cliché, remember that you want to become is a fantastic photographer. You’re going to need to bring to the table a unique way of looking at things and a good way to do that is to photograph things on your own terms right from the beginning. Don’t copy someone else’s idea however easy it may be. Be yourself.

5. You won’t get a perfect shot on your first go.

Macro photography is a carefully honed skill that takes months – even years – to fully perfect. You’re going to find that as you go along, you’re going to take photos that are blurred, underexposed and badly composed. But before you go and delete these ‘mistakes’, learn from them. What did you do wrong? Can you think of anything you can do to better these shots? If you can, upload the shots to your laptop, look through them, take notes and then go back to the object and re-photograph it until you get something you are happy with. Only you know what you like and only you know how to achieve this.

6. Your house and/or garden are places for practice.

You can take close-up shots anywhere you like but a good idea would be to start where you know best, your house or garden. You know everything here and you can pick objects out that you think would look great close-up. Windowsills (for those unfamiliar with the term, these are the ledges beneath your windows in your house) offer great places to set up your items and will also provide natural light (during the day time of course) that will aid your practice. That money in your pocket? Photograph it. Your toothbrush? Photograph it. Curiosity is a wonderful thing and you should use it to your advantage.

7. Post processing will correct some mistakes.

All you really need is a program capable of doing basic adjustments, cropping and sharpening and you’re away. You can find some programs online free of charge if you search enough. You may need to sharpen your images a little to help the details of the object shine through. Cropping may also be handy if you haven’t managed to get close enough to fill the whole frame. Adjustments will probably need to be made such as brightening but this is up to you and how you want your image to look.

Shield Bug – macro helps you to find beauty in things you wouldn't normally associate it with. © Sarah Lewis

8. You don’t need to stick with shallow depth of field.

You may find that when you are photographing at such close-up quarters that the depth of field will become more shallow as you go along. For more advanced photographers, there is a way to ‘stack’ your images so that you can have the entire object in focus. There are various programs and tutorials scattered all over the internet which can guide you through this process. This technique involves taking multiple exposures with different parts of the item in focus and then when in post-processing, you can use said programs to help you ‘stack’ them together to create an image. It sounds complicated but the results are very rewarding.

9. Macro photography alone might not get you a career.

Unless you’re thinking of becoming a scientific or forensic photographer, macro will more than likely become a something you will use amongst other skills. For example at a wedding, you will be primarily shooting portraits, but you may possibly want to shoot the finer details like a pattern on the brides dress, or the flowers in her bouquet – this is where your macro skills will come into play. If you are a wildlife photographer, you may find that you can use macro to capture a close-up of a bird or an insect, but overall I find that macro is something that can’t be relied on as a single practice. Most macro photographers dabble in other forms of photography too.

10. Macro photography changes your view of the world.

As you go along, you will start to look at things differently. You’ll find that you will be thinking about a certain object and what it might be like up-close. You’ll definitely find that you will become more interested in the finer details in life. Macro photography is a beautiful area of photography that becomes a sort of adventure to those who pursue it. Your attitude to the things around you will change and this is not necessarily a bad thing.

Enjoy your journey!

Links:

Website: http://www.purplefacephotography.co.uk
Flickr: http://www.flickr.com/photos/sarahpurpleface
Twitter: http://twitter.com/_purpleface
Facebook: http://www.facebook.com/purplefacephotography

Photo Profile : Sandy Simpson

When I was four I discovered ants following each other on our brick patio in San Francisco.  My naked eyes are like microscopes.   I spent a lot of time laying on that patio floor and studying them.

I wondered how they knew to follow each other and how they knew where to go when the other ants were out of sight.  I’d experiment by removing a tiny twig in their path to see if they could still find their way.  After a few seconds of confusion, they did.

I wished more than anything that I could put them in a miniature doll or “ant house” and feed them and put them to bed at night. That led to my interest in real microscopes and a whole new wondrous world opened for me.

I’m that person who always had (and still has) a camera in hand and all my photos were “snapshots”, mostly of family.   Then I got a decent camera and one day I took photos of a spider and its web and thus my love of macro insect photography began.   I’ve only been really serious about it, as far as constantly trying to improve, for about three years.

I never use a tripod.  I like to be free.  During damselfly season, you can find me slithering around on my lawn (wet or dry) exactly like a snake, slowly following a damselfly from one piece of grass to another.  If I happen to be wearing a nice outfit and I see a damselfly and the lawn’s wet, well, tough luck for my clothing!

My specialities are whimsical insect photos and dragonfly photos.  I feel like I know insects and spiders as well as someone who has a degree in entomology.  I understand them.  I know how to approach them.  I know the rituals of the Jumping Spiders.  I know the dragonflies are as fascinated in me as I am in them.  I’ve stood in triple digit weather for three hours straight to get one photo of a spider.  That’s all the elusive spider would allow me.   Spending so much time with insects, I suddenly realized how much I understand them.

Most people see a plain brown Stink Bug and think it’s ugly.  I see, once I upload my shots, a perfectly made creature with intricate patterns in many colors.  I see, as I’m looking at the enlarged image, that it was looking at me when I took the photo.  You may find little black dots on a petal of your rose bush.  They aren’t specks of dirt, they’re beetles with all of their body parts and lives as complex as their larger sisters.

I am one of the rare photographers who won’t tamper with nature—at all.  I want the real thing.  I don’t “bait” them by putting out honey or by moving them to a better location.  There are many macro inspect photographers that are better than me, but few who love insects as much as I do.

Links:

http://sandy33311.deviantart.com/

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Check out these San Francisco Wedding Photographers

How to : Splash Crowns

In 1937 Edgerton began a lifelong association with photographer Gjon Mili, who used stroboscopic equipment, particularly a “multiflash” strobe light, to produce strikingly beautiful photographs.

It was Edgerton who discovered that trying to capture translucent liquid splashes was nearly impossible and thus moved to creating the splashing using milk. Although I have made previous attempts to create the perfect crown (and failed, see here and here) I decided to carry out some family experiments with milk.

The set up was reasonably simple and very make shift. A small tray of milk, a dropper pump, macro lens with strobe and a gorillapod to rest the dropper on to ensure consistent, or almost consistent placement of the drops.

We took around fifty photos using our now tried, tested and patented 1,2,3 technique. The dropper is pressed at 2 and the shutter pressed at 3, the tricking is saying 1,2,3 at the same rate each time. A small desk lap is slightly out of shot to offer some consistent fill lighting.

Although the resultant photographs aren’t necessarily visually pleasing and in fact have a bit of a retro seventies feel they do capture the behaviour of the moving liquid really well. If you want to push the boundaries then why not add a flat surface and some food colouring to the mix.

It is really interesting to see some of the different shapes caught as each drop of milk made contact with the pool. One thing is for sure, kids really love taking part in this type of photography as despite the best intentions the mess is equally as spectacular as the end results. [Splash Set on Flickr].